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IN YOUR PRIME
We Were One
He has been about courage, about purity in prose and, above all,
professionalism. I speak of author and friend W. C. "Bill" Heinz, who has
taught, "To the good ones, professionalism is a religion."
"The reactions of the professional are so pure," he continues. "They are
doing the job right, regardless of incentive. And, it is the great professionals
that society has to depend on every time it gets in trouble."
During World War II, the United States-indeed the entire free world-was
in serious trouble. The American GI, young men and boys, from small towns
and big cities, fought hard and well as professional soldiers, sailors, airmen
and Marines, and saved this nation.
Heinz dedicates his 10th book, "When We Were One: Stories of World War
II" (Da Capo Press; 2002) to "those who, in all this country's wars, fought
for us and died in the doing." As the July 4th holiday approaches, permit
this biased columnist, who for more than half a century has regarded Heinz
as a surrogate father, and has loved this complex, formidable talent, to
suggest the reading of this 262-page treasure of a book, constitutes a
patriotic act.
Bill Heinz, war correspondent, newspaper columnist, magazine writer and
author (the co-author of M*A*S*H), today is 87, a widower who has lost a
left eye to disease and surgery that failed, is frail at 113 pounds, and walks
unsteadily. Yet, here he was the other night, on the NBC/TV nightly news
program, telling Tom Brokaw about covering the war from D-Day all the
way to victory inside Germany.
There wasn't time, of course, to tell the way it really was, and how, if you
did your job as a professional correspondent, you had to put
yourself in danger. Few went all the way-one of these was Bill Heinz.
"A mortar shell came in on my side and hit a wall to the left of me," Heinz
recalls. "I remember the hot flame and orange color. I had a splinter in my
left cheek and another in my left hand.
"Then I knew what it would be like to get killed," he said, for a journalism
review. "That would be the last thing you would know. You would hear
this noise and see this orange color and it would be very hot."
His interviewer asked what "kept you going on a day-to-day basis? What
went into this decision to go in harm's way?" The answer is quintessential
Heinz, the words of the professional-
"You just couldn't leave the GIs alone. I mean, they were doing the fighting. We
came back (from the front lines) every day and they stayed up
there. I've never forgotten that all my life. I've been overburdened with
empathy, but it's good for a reporter. I certainly had it for the GIs. It's
amazing what they went through."
Working alongside Bill Heinz was akin to a graduate course in journalism
and non-fiction writing. Twice, we collaborated. In 1965, we covered the
historic civil rights march from Selma to Montgomery, Alabama; another
time, we worked with football coach Vince Lombardi. Heinz wrote "Run to
Daylight," the celebrated Lombardi autobiography.
In one of our long meetings, Heinz remembered a conversation two GIs had over the
correspondents' shoulder patch. "They're war correspondents," the first soldier explained.
"Let them get guns," says the second GI.
"Yeah, but they're going to tell the folks back home what it's like here."
To which the skeptic says, "We'll tell them when we get back home."
One of my favorite pieces in the book is titled "Transitions." It is a hark-
back piece, about Heinz the civilian, and sports reporter, looking back now
at his war. He writes, "Day after day I see those kids going out and
sacrificing themselves. They haven't even had a chance to live yet. They're
18 and 19 and 20, and they're giving their lives, and what am I doing for
them?
"They deserve the best writers we have, and except for Hemingway, they're
not here."
Yes, they had Hemingway, but they also had a brilliant emerging talent, W.
C. Heinz, who got better and better with each new experience, and dispatch
back to the New York Sun newspaper. Now, those onetime farm boys and
city kids who did the nation's dirty work have a literate history of their time
during World War II.
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